AOH :: SCRM162.TXT
Screaming In Digital 162 (Queensryche Fanzine)
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Volume 162 - 24Oct94 | ***
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_________________________________________________________________
Editor's Note
Hi, everyone! Sorry this is a few hours later than usual, the new
release resulted in a lot of material coming in for this issue. As you
might notice, the layout is a little different in this issue than it
has been. This is because I did the original layout in the HTML
hypertext language, and then transferred it to plain text. If you
don't know what HTML is, don't worry about it. If you do, the URL is
http://130.219.44.141/queensryche/sid-v162.html
_________________________________________________________________
Contents
New Album Review - Gus
Promised Land Review - Neil
Media Coverage - Greg
Media Coverage - Dave
I Am I and Promised Land - Mike
Impressions of Promised Land - Steve
Newspaper Article - Dave
Media Coverage of Premiere - Angelique
Promised Land - Windigo
New Album - Christina
First Impressions
Queensryche on Rockline - Mike
Promised Land - Chris
Free Stuff - Jim
Promised Land - Steve
Promised Land Comments - Vincent
New Album - Matt
Album Length - Jim
Video - Jason
Kirking It? - Michael
Promised Land Ponderings - Scott
Queensryche Down Under? - Taj
Promised Land Comparisons - Todd
Promised Land - Kevin
Promised Land - Jon
Promised Land - Andrew
Geoff Smoking - Kevin
King's X - Eric
Floyd Comparison - Jim
Singles? - Terry
CD-ROM Info? - Keith
Cool Stuff - Dave
Scan Totem Postcards? - Seoman
Styles - William
Styles - Windigo
Lady Jane - Doug
Lady Jane - Anne-Marie
Voice in Lady Jane - Doug
Voice in Lady Jane - Timothy
MTV Tape Wanted - Michiko
_________________________________________________________________
News & Reviews
New Album Review - Gus
Hello from Greece! I bought the new album on vinyl, and I think it's
fabulous. it's a limited edition white vinyl but there are no lyrics
included, which is kind of disappointing. It's not really as hard as
has been mentioned, but it isn't Empire. While listening to the album,
I have to admit I experienced a feeling of deja vu on some songs,
particularly Bridge. If I had to pick my favorite song, it would
probably be Promised Land for its haunting rhythm.
In October's issue of the Greek edition of Metal Hammer magazine,
there is a interview with Chris DeGarmo who says that the album is
like a view to the soul of how Geoff is seeing his past and simple
spiritual images, and recording them honestly as thoughts on the tape.
When asked about the new tour he said that the shows will be more
theatrical and even better than those of the Building Empires tour. He
also mentioned that there are a couple more versions of Someone Else?
with full orchestration, so perhaps we can expect one of these as a
B-side.
About Geoff's new image, I think he shouldn't have followed the trend,
but perhaps a reason for doing that - besides his personal preference
- is to show that Queensryche is a band with some attitude, so they
can catch up with the grunge bands in the rest of the Seattle scene.
Perhaps I'm exaggerating a bit, but that's a possible interpretation.
Promised Land Review - Neil
This is the Queensryche I like the best, harking back to the days of
Rage for Order. The new album contains layered vocals, samples and
darker text - no love songs on this one. The production is clear,
solid and room filling, especially if you turn it up a bit! Nice cover
artwork. I'm tempted to get a second copy so I can put it up on my
wall.
The opener, 9:28 a.m., sounds like somebody reincarnated, going from a
flatlining heartbeat to the sound of a baby crying. Then the real
music starts. The intro to I Am I reminds me of Suite Sister Mary, but
that's as far as that comparison goes. If I had to compare it to
anything, it reminds me more of Screaming in Digital with its complex
overlaid vocals. This song has been going round my head since I bought
the album! Strange choice for a single, though, I thought. Next comes
Damaged which is probably my favorite track at the moment - love
that crunchy riff. This track explains the guy with the nail in his
head on the lyric sheet, and sounds like it's about someone trying to
face the future in spite of the damaging experiences of his past life,
including those of religion.
Out of Mind for me is quite a sensitive song about people who are
locked away in mental institutions. It has that distinctive
Queensryche acoustic guitar sound written all over it. That sound
continues into the next track, Bridge, about Chris's relationship - or
rather lack of it - with his father. Then comes the title track, which
is also the longest on the album at over 8 minutes. This is a slow
atmospheric track about the disillusionment of the "American Dream."
Listening with headphones reveals some background murmurings later on
in the track and what sounds party conversation - time to guess what
Geoff says again!
Probably my second favorite track comes next in the form of
Disconnected. A distinctive 5/4 time drum intro from Scott leads
into slightly funky guitar. There's no real singing on this track
except for the "chorus." I think it has a great feel. I'm not sure if
this song is about disillusionment or drug abuse, but the next number,
Lady Jane, has a psychedelic influence and certainly sounds to me like
a song about an hallucinogenic experience.
The next two tracks are bit more "accessible" than the others. My
Global Mind is about being prepared to take hold of the new
technology that is being forced into our lives, rather than running
away from it. Incidentally there is a credit to someone called Martha
about making them global or something. Has she got anything to do with
the archives? The penultimate track, One More Time sounds like
something from Empire and will probably make a good choice for a
single. The last track is an introspective piano ballad called Someone
Else which is an unusual line for Queensryche to take. It gave me
goose pimples when I first heard it.
The total running time is just over 48 minutes which is a little
shorter than most albums tend to be these days. Still, it's quality
listening, not quantity and I think they more than delivered the goods
this time. I wouldn't say this was a concept album, but I found a lot
of the tracks were definitely introspective in nature, about learning
lessons from the past in order to face the future. It will be
interesting to see how they handle some of these tracks live. Oh, by
the way, did anyone spot the deliberate mistake on the lyric sheet? In
the discography section, they refer to a video going by the name of
Building Empress, whatever that might be!
Media Coverage - Greg
I happened to catch Headbanger's Ball this weekend, which focused on
Queensryche and the listening party for Promised Land. They also
debuted the video for I am I. Hate to say it, but the video, directed
by Mark Isham, is rather dull and kinda silly, as are most of Isham's
videos.
A local radio station played the entire album this weekend, too. I
only caught a few songs, but loved what I heard. It's obviously much
darker, with more emphasis on acoustic guitars and other instruments,
and lots of layering, too.
Media Coverage - Dave
The MTV special was cool, except for Rachtman's usual ineptitude. In
the 2-hour Z-Rock special this past week, Geoff said the CD-ROM is
slated for release in February, and it's really cool, with half of it
dedicated to the making of Promised Land, filmed by Chris's brother
who I believe is named Mark.
When asked about Nikki in Mindcrime, Geoff said that "he's been
wanting to make a return," or something similar, basically that the
band has been considering continuing the storyline.
Chris touched upon the meaning of Lady Jane, saying that it's "kind of
a tune of expanding the possibilities of the mind. Jane is the
character that gets to be the recipient of a rather special day by
herself inside with a little coaxing by someone talking into her ear
to try and realize all of the possibilities, really, and break down
the internal barriers that she may have built up over a lifetime.
Yeah, yeah, that is what it's about."
As far as the artwork goes, they used a totem pole because it's a time
line in the Native American culture, and they feel that they couldn't
have written Promised Land without writing all of the previous albums
- it is a look back at their past. Each character on the totem
represents a supernatural character, and the reflecting pool that it
rises from represents tranquility and reflectiveness. Since the album
is about self-reflection, looking inside one's self, it fit with the
mood of the album.
Also, I heard Queensryche was supposed to be on Rockline?
{I checked with EMI's publicity department, and they
aren't sure when that show will air, yet. -sh}
I Am I and Promised Land - Mike
I finally heard I Am I on Rock 103 out of Colombus, GA, and it was
really cool. I tried to pop in a tape to record it, but I was too
slow. The song did remind me of Rage for Order. I was surprised at how
heavy the guitars are in this song, I think this is their hardest song
since The Needle Lies.
I picked up Promised Land, and wow! It is really different and it does
remind me of Rage. I think the heaviest song is Damaged. What does
everyone think of Disconnected? I was surprised at Queensryche's
attempt at, dare we say, funk? I really like Someone Else, and wonder
if Geoff will sing it on the tour.
Someone told me that Scott Rockenfield uses a "clicker" for the live
shows. I believe this is a device that helps a drummer keep time, and
I find it hard to believe that Scott would use one. Do any drummers
out there know what I'm talking about, and whether he uses one?
{Mention has been made in the past of Scott playing not
to a clicker, but to a click-track, which is a rapid
clicking usually used for synchronizing audio and video
in movies and such. I believe that's what he did on the
last tour, to keep the songs properly synchronized with
the video projection screens. -sh}
Impressions of Promised Land - Steve
I bought Promised Land, I've listened to it, and my first impression
is "This is weird, but in a cool way." I can see some of the
similarity to Rage that people have been commenting on, but on the
other hand, it's also very different from Rage.
One thing that strikes me first off is that a number of these tunes
are much less flowing than in the past. I like the way they've done
it, too, especially in Disconnected. The song's composition follows
the theme of the tune perfectly, including the way the lyrics are
sung, with one voice singing half the lyrics, the other voice the
other half.
I don't remember if anyone's already mentioned it or not, but My
Global Mind seems (lyrically) to be about the Internet. I won't quote
lyrics here, but take a read-through, and see if you agree.
Also, did anyone else notice the lack of a listing of band members and
instruments played? I was looking to see if Geoff was doing whistles
or "no whistles" this album.
{I didn't hear any whistles, but Geoff's joined me in the
ranks of saxophonists. -sh}
Newspaper Article - Dave
I saw an AP article on the new album this past weekend. It said that
after the end of the Building Empires tour, Michael had a battle with
alcoholism - this might partly explain why it took so long for the
album to be released. The article also quoted Chris as saying that
they are all still carrying around baggage from their childhood, and
that the album is introspective, searching for answers to the
unresolved problems from their childhood. It also mentioned that
Chris's dad left when he was only 2 years old.
Media Coverage of Premiere - Angelique
At the premiere, the cameras - including MTV - did not cover the
entire audience, but who they thought looked like the ideal rock
listener. They were coached and encouraged to act out for the cameras
- swaying, banging heads, dancing, hollering, waving to the camera,
you name it. When the media left, it was silent, everyone was focused
and listening. It was nothing like the media represented it. I even
heard a camera-person thank a fan who did exactly as he was
instructed. It was fun, but instead of capturing the mood, the media
spoiled it.
Promised Land - Windigo
It seems I heard Promised Land a bit earlier than most radio
listeners. It was premiered, not in a satellite broadcast, at midnight
the Wednesday before it was released, on 100.5 The Fox - a station
that deserves to be sainted on this basis alone, not to mention the
fact they play both Queensryche's I Am I and Dream Theater's Lie in
heavy rotation.
I must say, the four-year wait has been worth it. My first impressions
were - yes, I know it sounds so cliche now, but I'm gonna say it -
that the album has a much darker mood to it than earlier Queensryche,
and reminds me of Rage for Order, with a pinch of the good bits of
Empire. The lyrical quality is incredible as always, and the music
is some of the best I've ever heard from them.
It would sound nasty to say the band had discovered its cojones again
- especially a prog band :) - but they do seem to have their soul
back. I see a spark in the album that was entirely missing from
Empire, but not in other Queensryche albums. The 'Ryche is back with
a vengeance.
It is a good thing the CD came out Tuesday, 'cause the tape I recorded
off the radio was liable to be in ribbons by then. It comes very close
to Operation: Mindcrime as being my favorite Queensryche album at the
moment, something I couldn't say for Empire. I doubt anything would
ever push Operation: Mindcrime off the top, since I think it's damn
near the best album ever crafted by mortal hands. It's good to have
the old 'Ryche back.
New Album - Christina
I agree 100% with Anne-Marie, that the new album is disappointing,
leaning more toward progressive rock than metal, although the singing
is very nice with Geoff's large vocal range, of course. It's also only
48 minutes, pathetic for an album made on a 4-year plan!
First Impressions
Some things in life you can always count on: Death, Taxes and a
Queensryche album that knocks the fan for a loop. I'd like to see the
looks on the faces of the folks who expected Promised Land to be
little more than Empire II. Quite the contrary; this is the group's
darkest album to date, with brooding, hypnotic melodies and the
ever-present lyrical brilliance Queensryche fans have come to expect
over the past decade.
Standout tracks after the first few listens are I Am I, Disconnected,
Bridge and my favorite thus far, Damaged. The overall sound combines
the best from the Rage for Order and Empire albums and infuses it with
the frankness of Operation: Mindcrime. In a word, haunting.
To be honest, I don't see Queensryche gaining many new fans with this
album, and may in fact lose some who joined the campaign after the
Empire release. Fans from the beginning should get a kick as they
take a ride down memory lane, however, at the same time marveling at
the latest incarnation of the best band Seattle has to offer. It's
been a long time coming, but at last we've reached the Promised Land.
Queensryche on Rockline - Mike
On the radio concert digest, Queensryche are listed as guests on an
upcoming Rockline show.
Promised Land - Chris
Four years ago, I vowed that when the new album came out, I'd be the
first person around me to get it. I sat outside of a local record
store Monday night until around 11:20 PM when the shipment came in,
and the owner let me in to buy it.
One thing I'll say about the album is that it stays consistent with
their previous albums in that none really sound alike. There are some
vocal similarities here and there, but as far as songwriting goes, it
is unique.
When I first heard it, I tried to block out everything I've read so
far to get a fresh perspective. I Am I is immediately catchy, the
video is good also. Someone Else and Lady Jane will be radio hits if
they promote them well. Disconnected, which I had doubts about, being
a non-funk fan, is great, proving that Queensryche do well, whatever
style they choose. Promised Land has grown on me, and One More Time is
a well-arranged song.
Overall, the album covers the extremes of the best sides of the band,
from chaotic industrial rock to the powerful vocal ballads. One thing
I noticed that was somewhat disappointing was the low amount of
writing done by Michael Wilton. He wrote some of the band's most
distinct heavier songs from Revolution Calling to Empire. That may
have a lot to do with the fact that while Promised Land is certainly a
heavy album, it really isn't metal.
While this is probably their best written album ever, there is one
possible critique. I have noticed that some of the parts sound like
other group's song. As Anne-Marie said, Lady Jane sounds a little like
Space Oddity by Bowie. Also, one verse in Damaged sounds like Wherever
I May Roam by Metallica, and the vocal melody of Out of Mind is very
much like that of The Cure's At Night, though I highly doubt this is
intentional.
Free Stuff - Jim
When I purchased Promised Land, the store clerk gave me a free
keychain with the tape. It was a one-time special on the release date,
October 18. Basically it was a keychain with the Queensryche totem
pole and the album name and release date. Pretty cool for all $5.99!
The clerk also set me up for a drawing of the Queensryche limited
edition poster, basically the artwork inside the sleeve of the album.
Supposedly, it's a limited edition of 300 posters throughout the US.
The drawing is supposed to take place in January of 1995. I hope to
win!
Does anyone know if a possible making of the album on CD ROM with
documentary of the group and songs of the album is gonna be out?
Promised Land - Steve
I picked up Promised Land on Tuesday. I am a bit disappointed. I think
that the guys are mellowing out in their old age :^) It's safe to say
that Mindcrime might have been the pinnacle of their careers. That
aside, I would say that this album is definitely better than Empire. I
would not say that it's a "dark" album, though it is depressing on
some of the songs. Whereas Empire seemed to have been optimistic for
the most part, the songs on this album cover more depressing and
distressing subjects, with no real hope for resolution. Perhaps, in
that aspect it is indeed a "dark" album.
The album has been growing on me over the past few days. Two songs
that I like quite a bit are Damaged - correctly called the hardest
song on the album - and Promised Land. As much as I like I Am I,
eMTpyV will more than likely kill the song with overexposure. At least
it won't get killed on the Top 40 radio stations.
The more that I listen to the album, the more I begin to like it. Then
again, as a Queensryche fan, and having waited this long for a new
album, do I have much choice?
Promised Land Comments - Vincent
I disagree almost totally with the comments that the new release
sounds like Rage. I see little, if any, similarity between Rage and
Promised Land. While several songs are definitely mainstream
Queensryche, several others come to mind, such as Someone Else?, that
are definite ground-breakers for the guys.
At first I really didn't like Promised Land. However, the more I
listen to it, the more I like it. I especially like the way the band
is showing their overall versatility by mixing conventional
instruments like the piano and sax with their usual weapons of choice.
It projects a very unique flavor which I have not seen in the band
before.
Now for my tracks of choice. I Am I, for obvious reasons. Damaged,
mainly for the rather unique style presented. Bridge, because I can
somewhat relate to the story being told, as my father and I have never
been very close, One More Time, and Someone Else, for its ground
breaking approach. Over all I like Promised Land very much. With
respect to the comment that was made regarding Lady Jane and its
suggestion of children and sex or drugs, I don't think that is what
the guys had in mind at all. It very well could be that Jane is
reflecting on her childhood, thinking of a happier time in her life as
she tries to cope with her life as it is now.
New Album - Matt
I got the new Queensryche 5 minutes after it was officially for sale
and eagerly ran home and listened to it. I was very, very impressed.
After reading some of the opinions that suggested disappointment, I
thought I'd better add my two cents worth.
The entire album is very excellent, and the song Out of Mind is
perhaps the best song I have heard in, well, a very long time. When I
first heard it, it made me so emotional I almost shed tears. Perhaps I
was just in an emotional mood, but that song definitely has power.
Very, very impressive. And of course, the rest of the album rules.
It does take a few listens, though. When I first heard Disconnected I
was somewhat disappointed, same with I Am I. But now after listening
for five times or so, I just love all the songs on there. It's awesome
to hear Geoff's voice once again singing new material.
_________________________________________________________________
Comments & Questions
Album Length - Jim
I think maybe the new album is only 48 minutes long so that they can
play the whole album live with a multimedia backdrop. This would be an
awesome show, and would leave time to play other songs as well,
yielding a theatrical and aural onslaught.
Video - Jason
I finally saw the I Am I video. Since I missed Headbanger's Ball last
week, this was my first glimpse at Geoff's new look. It's not as bad
as people were saying. I think the goatee suits him, but that's me.
The video itself was really bad in my opinion. Considering Wayne
Isham's work in the past - for many bands, including Queensryche -
this one really was not up to his standards. The only video I could
compare it to would be the first version of Another Rainy Night, but
with less cheesy effects. You know, it could be possible that they're
trying to avoid prime-time MTV airplay - which is currently
succeeding. :) Promised Land is an amazing album, but I'll save my
review for another time!
Kirking It? - Michael
Is it just me, or does Geoff sound like he's doing a really bad
William Shatner impression on Disconnected? It's one of the first
things that struck me when I first heard the song. I know the guys are
trying to branch out on Promised Land, but don't you think maybe this
is going a little too far? Just a thought.
{Or maybe James Kirk was on drugs? -sh}
Promised Land Ponderings - Scott
I noticed a few things right away about Promised Land. First, the
publishing company was changed from "Tri-Ryche" to "Melodisc." When
and why did this happen? Also, Scott Rockenfield sure contributed a
lot more to this one than to Empire. And why are there no pictures of
the band and no instrument credits?
Queensryche Down Under - Taj
Argh! How are we supposed to get Promised Land in Australia? I'm
dying, and I've got no Queensryche to keep me company. Also, can I
find Queensryche merchandise here without having to pay the monumental
shipping and handling charges that I would have to pay to get it from
the US?
{I spoke to EMI about this, and they said they do expect
it to be released down under, but the person wasn't in
who would know when it would be released. -sh}
Promised Land Comparisons - Todd
How can you say the new album sounds like Rage? I've listened to it
several times now and by no way is it like anything they've done
before. There are little tidbits that do sound somewhat like Rage, but
it definitely is an album of its own. Damaged is absolutely
incredible, and Geoff has outdone himself as usual. You should try
focusing on the music on the new album, instead of constantly
comparing it to old albums - and that's what they are, old albums
(which are excellent of course).
Saga's Security of Illusion is a lot like Promised Land. The guitar
work is a little more intricate, but the attitude and vocal harmonies
are similar. Promised Land might be a little darker, though. I wonder
if the guys have been listening to Saga?
Promised Land - Kevin
Promised Land, to me, seems to have Mindcrime lyrics with Rage for
Order music. The lyrics are dark, and the music contains lots of
sampling. Disconnected and Bridge are my favorites so far.
Promised Land - Jon
I got Promised Land and I am utterly impressed! The guy at the record
store said he was disappointed about it not being heavy, but in my
mind's, it doesn't need to be. Queensryche has mastered a wonderful
album here, one that is perfect for sitting in your lazy-boy and
listening to, loudly, on repeat, for hours. It's candy for the ears!
It flows wonderfully, both out of the speakers, and through you, and I
think that the guys have done an absolutely wonderful job!
Promised Land - Andrew
I got Promised Land and haven't stopped listening to it! Although it's
not Empire, I feel I Am I, Damaged, and Lady Jane are a cut above the
rest of the album. I also believe Disconnected is one of Queensryche's
worst. The rest are about average for them.
I think the idea that Lady Jane is about child molestation is absurd.
I believe it tells of a young girl who is not accepted like the other
children, and the reality that kids must face and realize the world
isn't the candy-coated picture their parents paint it to be, it's
really a "scary ride," and Janie's eyes are wide today because she is
is shock from reality. I'm interested in hearing other opinions, and I
think this song will be the blockbuster on the album.
Geoff Smoking - Kevin
One of my friends told me that Geoff was smoking when Queensryche was
on Headbanger's Ball. I was under the assumption that he had quit.
{I thought he had quit too. If he hasn't, I hope he does
for the tour, as last time around his voice sounded
pretty tired after several months. -sh}
King's X - Eric
I have been reading the digest for some time and a great number of
other bands have come up for discussion. Dream Theater seems to be the
favorite. In the media, though, I constantly read that along with
Queensryche and Dream Theater, King's X is guilty of pushing the
creative envelope. They don't have the sound, but they do have the
complexity and skill. There are also two lesser - but still good -
King's X protoges, the Galactic Cowboys and Atomic Opera. If you want
to talk about any of these bands, drop me e-mail.
{There was a King's X digest for some time, but I haven't
heard anything from it for quite a while now. It's a
shame, as it had very good connections to the band and
their management. -sh}
Floyd Comparison - Jim
I think the Lady Jane starts out sounding a lot like one of Pink
Floyd's songs, and Someone Else ends with a spoken word, similar to
Goodbye on Pink Floyd's The Wall.
_________________________________________________________________
Info & Resources
Singles? - Terry
Does anyone know for sure if they'll be putting new tracks on the
singles? Or will it just be mostly live version and poorly
edited/hacked versions? And if they do put new tracks on them, how
hard will they be to get in Canada?
CD-ROM Info? - Keith
Has there been any more news on the Queensryche CD-ROM? With the album
out this week - the same day the new mall opened here! - and the new
Dream Theater CD out on the 4th of the month, money for music is kinda
tight.
Also, everyone watch for the CD Sunshine Reign from The Schmill. The
guitarist is heavily influenced by Chris Degarmo, and it shows. They
sound incredible, with a definite Queensryche-influenced sound.
Cool Stuff - Dave
I picked up the US vinyl of Promised Land at a record show. There is
one bit of promo material I'm desperately in search of for the new
album. It's a giant CD mockup, probably 4'x4'x4". If you happen to
come across one of these or any info on where i might get one, please
let me know.
Scan Totem Postcards - Seoman
To those lucky enough to have gotten postcards from EMI, could you see
your way clear to scan the art and post it for the rest of us? I know
my screen would appreciate it immensely. :-)
{The /pub/incoming directory on Arginine would also
appreciate any scans of images from the new album. -sh}
_________________________________________________________________
Discussion
Styles - William
I agree that Dream Theater and Queensryche's albums are varied. Awake
is much heavier, but just as technical and complex. It seems Geoff
Tate and James LaBrie have practiced together, and take voice lessons
- from the same teacher if I remember correctly. I'd say Dream Theater
has surpassed Queensryche in some ways, although I'd be shot for
saying that here! And they know how to fill up a CD.
Styles - Windigo
I agree that Queensryche and Dream Theater's musical styles are
somewhat similar - and you can even throw in Fates Warning on this -
but the reason I feel most people compare Dream Theater to Queensryche
is the fact both bands evoke very powerful images in the minds of
their listeners.
As for a tour by Queensryche and Dream Theater - or, gods of prog help
me, Queensryche, Dream Theater and Fates Warning - let's just say if
they came to Louisville, I could die happy. If they even came as close
as Cincinnati, I'd drive the 100 miles there and then I could die
happy.
Lady Jane - Doug
The post in the last issue about how Lady Jane was a sinister song
with pretty music took the words right out of my mouth! The first time
I listened to it, I thought it was cool. The chorus melody is really
catchy. The second time I listened, I thought about the post, so I
paid closer attention to it.
Whatever is happening to the song, it is sinister. The "narrator" of
the song seems to be talking in a evil, knowing voice - sinister is
the best word to describe it. Like something unspeakable and hidden is
going on that the listener is supposed to feel tense and suspicious
about it - uneasy might be the best word.
Lady Jane is probably the song I will remember the most from this
album. The album is very different than Mindcrime and Empire. It
sounds like they're experimenting with jazz, new age, and rock all
thrown together. Lady Jane is one of the eeriest songs I've ever
heard.
Lady Jane - Anne-Marie
From an interview with Geoff published in the Dutch metal magazine
Aardschok I understand that Lady Jane is about how women are
"forced" by the media to comply with the ideal image of how one should
look, what one should eat, etc. This kind of surprised me, because
that was certainly not what I understood from the lyrics. I thought it
was about child abuse or child molester, as someone on the net has
said before.
{That description in Aardschok sounds an awful lot like
the description of Della Brown. -sh}
_________________________________________________________________
Interpretation
Voice in Lady Jane - Doug
As usual, the band has put a lot of random voices into their music on
the new album. There's one voice in particular that I can barely make
out, and I wanted to know if anyone else heard it and if they could
understand it. The voice is in the song Lady Jane, and it comes just
before the piano starts playing, while the children are chanting. It
sounds like Geoff whispering, "Wait for me..." and something else, but
I can't make it out. Can someone else?
Voice in Lady Jane - Timothy
If you listen to the beginning of Lady Jane carefully, someone
whispers into the left channel "With... to pay." Has anyone figured
out what the other word is? What other messages have been hidden in
their past albums and are there any more on this one? You could hide
the entire text of War and Peace in I Am I and no one would notice.
_________________________________________________________________
Advertisements
MTV Tape Wanted - Michiko
I didn't think watching a video tape would be a bad idea since Dream
Theater was to be on, and guess what? I missed Headbanger's Ball. If
anyone has a complete tape, please write me.
I did get most of Z-Rock's Road to Promised Land on tape. I ran out of
tape during Damaged and had to put in another, but otherwise it is
complete. So if you want all the jabber between Geoff, Chris, and
Crankin' Craig, drop me a line. I am working on a copy without
commercials.
_________________________________________________________________
That's all for this time. Comments on the HTML bit are welcome, of
course. Have a good week!
'Ryche on,
-Shag
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